bendchair''a chair of perfect proportions.'' this is how peter maly, one of the greatest german designers of his time, defines his product. ''a little like the tuner designed by dieter rams for braun.'' the chair is so perfect one has the impression that it has always existed. it is a score of perfectly harmonious chords, which chimes perfectly with a very broad register of furniture, tables and sideboards. Its proportions are irreproachable, as is the quality of its finish.
cimbocimbo recalls the spirit of the armchairs/bridges of the 1950's. the round, enveloping back and wide, welcoming seat provide excellent comfort.
circoas its name suggests, the whole concept of this chair is rooted in softness and roundness: the round legs echo the rounded shape of the back. the integral seat and back, clad in polyurethane foam, presents not a single hard point.
cm131a reissue, based the manufacturer’s original moulds, of pierre paulin’s original 1953 chair. chair with ergonomic shell in dark brown-stained resinated, moulded, pressed beech multi-ply in a glossy finish. base in black lacquered round steel with protective tips on legs.
curulereproduction of a chair designed by pierre paulin at the beginning of the eighties, which was displayed at the musée des arts décoratifs in september 1983.
ettorianoavailable both as a chair and as a bridge, ettoriano offers a contemporary solution which is both discreet and comfortable. the convinced minimalism of the ettoriano chair allies the finesse of its steel base with an all-enveloping one-piece moulded shell.
facettthe magic of facett will touch all those who desire purity, without compromising on the perfection of the design. compare for example the minimalist simplicity of its monolithic form with the ultra-sophisticated work involved in its realisation - in particular the stitching (toning or contrasting), the complexity of which recalls the cutting and shaping of a precious stone, or even the complex folds of origami.
finnthe finn chair is characterised by the extreme fluidity of its form. the seat gives the illusion of being sculpted out of solid wood, being softly curved on planes. the back, with a foam core and fabric surface offers effective and comfortable support.
ikeheight-adjustable swivel stool. seat in 20mm natural varnished solid oak with thumb hole (for both ease of manipulation and to assist in adjusting the height between 41 and 55cm). screw support and endless screw in zinc-coated metal. base in white lacquered steel. protective gliders.