amedeeamédée is a settee and armchair combination, designed around a lumbar support which is quilted and stitched just like the bucket seats of the best Italian motor cars. the armchair may be rotating, and there is also a footstool for when it’s time to relax. chic, urban and thus compact, this family of seating acquires undeniable luxury object status when upholstered in the new full grain, pure aniline orga leather, with its slightly smooth, glossy finish.
andaanda envelops and supports the body perfectly. anda outstrips the archetype of the historical 'fauteuil crapaud' (squat armchair) by offering a totally new shape - offered, for optimum comfort, in both low and high-backed version, complemented by a footstool.
andyandy seems set to be a great classic, bearing as it does the imprint of pierre paulin. as a precious refinement, he mounted the chromed steel legs inside the armrests both to the front and to the rear, a touch which was just as elegant when viewed from the front as from the rear: inserting the leg into the armrest necessitated more meticulous stitching and upholstery for a perfect finish.
archiarchi is a reproduction of a pierre paulin 1955 original. it pays homage to their timeless design and the perfection of their comfort curve.
base available in satin black lacquer, black stained ash, cherry stained ash and chrome.
astairastair benefits from all the expertise of ligne roset: a pocket-sprung suspension, the considered use of the very best high resilience foams on the market, and a studied padding which guarantees both comfort and longevity. the working of the tubular steel structure and base is of the highest quality: the base is bent into shape with no visible solder joints or screws. the armchair and its footstool may be complemented with pedestal/low tables with matching bases.
backpack 2the backpack armchair derives its distinctive personality from the slim, elegant structure/base which is the perfect foil for the perfectly-designed silhouette of its welcomingly thick and ergonomically-curved seat/back cushion. at the top of the back, the cushion rolls over on itself and is held in place by a strap on its back (red or black) which is evocative of the kind of backpack used by the explorers of yesteryear.
bonnieligne roset was able to work on the reissue of the bonnie seating using a real collector’s item, one of only a few very rare examples in existence (modèles 500 and 500/2 – design 1975). from the outset, the bonnie seating was striking in terms of its comfort, both visual and real, hugging the lines of the human body fiercely. the bonnie seating is at once extremely comfortable and also clever, without being too clever.
cossethe inspiration for the cosse is comfort. soft, welcoming contours, a soft, delicate, all-enveloping form which, sustained by a fine natural wood structure, floats above the ground. the remarkable comfort of the seat, achieved thanks to its elastic-webbed suspension, contributes to this feeling of comfort and lightness.