@ rankin styles interiors
16 the downs, altrincham, wa14 2pu - 0161 839 6662 - info@rankinstyles.co.uk
the construction and function of this wall light are highly poetic, evoking the well-known game of noughts and crosses. it is possible to create one’s own personal decorative arrangement, in which one can vary the light intensity by selecting the number of crosses to be illuminated. the basic set comprises 5 crosses made from matt black injected polycarbonate which are backlit by LEDs and clipped into a double L-shaped matt black lacquered steel wall frame.
this suspended ceiling light is a reissue of the model designed by pierre paulin in 1950, an exclusivity for ligne roset. suspended ceiling light in white lacquered repoussé aluminium repoussé, semi matt.
aérodine table lamp is a hybrid object, somewhere between a light and a mobile. its shape, comprising a slim brushed steel structure to which a shade is fixed, gives the illusion of fragile, almost breakable balance. aérodine can perch on the corner of a wardrobe or the edge of a bed, the corner of a table or even the edge of a shelf. structure and counterbalance ‘brushed alu effect’ epoxy aluminium lacquered steel. shade in PVC with brushed aluminium effect on front and back.
reading light with metal base Ø 33 cm. metal ‘rise-and-fall’ shade. epoxy satin black lacquer finish. black pvc cable with black foot-operated switch.
a first led module located at the cylindrical end of the lampshade and protected by a pmma diffuser, illuminates upwards: power 3W colour temperature 3000K (warm white) 330 lumens. a second led module located at the conical end of the lampshade and protected by a pmma diffuser, illuminates downwards: power 7W colour temperature 3000K (warm white) 770 lumens.
table lamp with stem and shade constructed from two white lacquered perforated steel cylinders. the upper section of the cylinder-stem has an anti-glare dome in repoussé steel. epoxy white lacquer finish. white electric cable. manual switch.
the asola shade is a glimpse of the seventies and eighties, as much in terms of the material used - perforated steel - and its white colour as its stylised mushroom-like shape. the latter evokes the emblematic lights of the period such as giancarlo mattioli’s nesso light (1967) or mario botta’s shogun (1986), which was designed for artemide. shade constructed from two white lacquered perforated steel cylinders.
floor lamp with stem and shade constructed from two white lacquered perforated steel cylinders. the upper section of the cylinder-stem has an anti-glare dome in repoussé steel. epoxy white lacquer finish. white electric cable. manual switch.
defying the laws of gravity, it is very delicately suspended by a strap in the shape of the figure 8, which in itself is evocative of the infinity symbol. floor lamp with plain ball-shaped glass shade. base in Carrara marble Ø 40cm thickness = 25mm ; stem in 16mm bent steel tubing, finished in epoxy satin white lacquer RAL 9016. round shade Ø 12cm in mouth-blown opal glass houses the led bulb.
the asymmetric table lamp is made of moulded tinted glass, with a double layer, mouth-blown, moulded, sculptural shape, faceted like a diamond, semi-opaque finish. the lampshade has a cone shape and is in woven natural material (blend of cotton and linen).
shade in black or white sculpted foam. the diameter depends on its given shape.
a warm alliance of copper and zinc, brass is the only metal capable of imitating gold. it is noted for its colour, which varies from pink to yellow. when unlit, the shade is golden brass in appearance. when lit, the brass-coated glass becomes transparent, with the bulb becoming visible. suspended light with shade h29.5cm / Ø 16.5 in semi-transparent brass-coloured borosilicate glass. epoxy satin black lacquered ceiling fitting h3cm / Ø 10cm. round black pvc cable.